Transparent Yellow Iron Oxide is warm brown color in masstone that makes clean bright yellow tints in glazes. This color can serve as an alternative to Stil de Grain or Dutch Pink in other paint brands.
Solid, rich and dark just what is required from a Burnt Umber, a version unique to Rublev.
Dark brown in masstone, when applied thinly it presents luminous, mahogany hues. For a Burnt Umber it is definitely at the cooler end of the temperature spectrum.
In tints when mixed with white, warm, earthy greys are produced and being a relatively strong tinter the range of these tints is quite wide. It paints 'long' being quite lean in body.
This French umber is from the quarries of Gargas and Rustrel in the heart of the Luberon Massif.
Artefex Tempanel (450) is a professional art panel for tempera, Acrylic, Oil and Watercolor painting on an aluminum composite panel, consisting of two aluminum sheets laminated to both sides of a black polyethylene core. Tempanel (450) is 3mm thick and is available in size 12×16.
Rublev Colours French Sienna is a semi-transparent brown with good tinting strength, fine-grained, and brushes "long" in the direction of the brush stroke.
A classic, raw sienna is heated or calcined to bring out the inherent warmth of the natural Iron Oxides, thereby creating burnt sienna!
In masstone it is a rich chocolate brown, the swatch shown on the left has more red in it than the reality. It's tints when white is added produce instant mid-range (in temperature) flesh hues. The range of these flesh tints is wide as the paint is reasonably powerful.
Paints quite 'long', lean in body, meaning it is very easy to use without mediums. This takes a bit of getting used to, however once you have got there is no turning back.
There isn't a portrait painter who wouldn't find this a useful addition to their palette.
The pigment for this paint is sourced from the last remaining quarry of Gargas and Rustrel nested in the heart of the Luberon Mountains in France. It is an authentic paint, with the pigment selected purely for its colour qualities.
Featuring the finest professional grade Belgian linens, Jackson's Ultralite Linen Board is a versatile option for artists wanting to work on high quality and ultra thin ready-made boards. Oil primed and suitable for work with oil paints, Jackson's Ultralite Linen Board consists of a Claessens 66 Medium Surface canvas on a durable and archival quality paper and resin composite board.
The linen has a medium texture and has been double primed: first, zinc white is used as a primer, bound with linseed oil. The canvas is then left to dry naturally for three days, after which the canvas is then sanded and a coating layer based on titanium white is applied. The final step involves drying the canvas for ten days. The linen canvas is fixed to the board using a pH-neutral and acid-free glue.
Ideal for plein air work or in the studio, these boards are ready to be created upon immediately and are lightweight enough to carry around.
Canvas: 100% linen
Priming: Oil Primed
Board thickness: 0.8mm
Linen weight: 460 gsm
Linen style: 66
Grey samples allow for better and more accurate readings and also provide ample area for testing colour samples.
4" x 6" (10.2 x 15.2 cm).
Semi-opaque, deep yellowish brown with good tint strength, fine-grained, and, like most Rublev Colours Artist Oils, brushes "long" in the direction of the brush stroke.
Compact practical tool
Great for planning compositions
Neutral grey finish for ascertaining true colour
Can be oriented horizontally or vertically
Adjustable aperture
Clean oil or acrylic paint off your POSH® Glass Palette with a metal safety scraper. 5 blades included with the scraper.
Retractable blade to protect blade during storage
Heavy duty metal frame makes sure your blade is sturdy and secure for safe, reliable use
Rust resistant coating allows for premium performance during extended periods of heavy usage
Fits all standard size razor blades
For use with glass palettes only